Another scarily precise send-up is of the Rankin-Bass classic The Year Without a Santa Claus which is mutated into The Narrator Who Ruined Christmas in which Frosty the Snowman refuses to tell the story because he's lacking the Christmas spirit after 9/11.
Joe-esque Saddam and Osama which includes a live-action commercial for Rocks!, which adds cheerful decals and a peppy jingle to the weapon of choice for Middle Eastern youths seeking to bean soldiers and tanks. A look at Smigel’s parody of a Bozo the clown show filmed for “TV Funhouse” leads to the writer revealing if his use of children in the segment was “cruel.” Questions from the audience then lead to a discussion of the following topics: what challenges were faced by channeling his Chicago improv background into video filmmaking if Smigel would consider using a more advanced form of animation how he balances cartoons which push the envelope with ideas that network censors will accept if his Triumph interviews have resulted in physical danger to himself how O’Brien’s move to “The Tonight Show” might result in toned-down material and where Smigel’s writing for “The Dana Carvey Show” went “decidedly wrong,” leading to a clip from the series.This stylistic mimicry continues into the G.I. Later, Smigel addresses subjects which include: his “obsession” to make O’Brien’s show different from that of his predecessor, David Letterman how much improvisation takes place in “on-the-street” interviews the origins of “TV Funhouse” and his reactions to the “Borat” movie. Following Smigel’s recollections about the attempts to make a full-length motion picture focused on Triumph, footage is shown of the puppet’s appearance at the 2004 Democratic National Convention, at the 2002 New York City premiere of “Star Wars: Episode II: Attack of the Clones,” and interacting with other animal puppets and Robert Goulet. Next, a Smigel animated short about Michael Jackson leads to a discussion about the singer’s consequent threats of a legal suit. After taking the stage, Smigel shows unaired “Saturday Night Live” political ads which he “made for the Republican party.” He then answers Andersen’s questions on such topics as: how political satires are often taken out of context why politicians often try to “top” Triumph’s comments times when the network felt his material on “Saturday Night Live” went too far being a pack rat why he doesn’t set out to be controversial and how SNL executive producer Lorne Michaels became his “greatest advocate.” After viewing the short animated film “Conspiracy Theory Rock!”, Smigel recalls the genesis for the controversial piece about NBC’s corporate sponsors and why it was only run once. The canine puppet launches into an expletive-filled rant and answers questions about his origins, politics, and sex life. As Andersen introduces Smigel, he’s interrupted by an outburst from Triumph. (For synopsis and credits, see ACCNUM 100260.) Following the screening, Carpenter introduces novelist Kurt Andersen, who moderates the seminar.
The pilot from Smigel's Comedy Central show "TV Funhouse" is then shown in its entirety.
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Bush, John Kerrey, and Bill Clinton scenes of Smigel creation Triumph the Insult Comic Dog getting "friendly" with other canines and a bit from a cartoon in which Jesus Christ looks at Christmas TV programming. Bush dresses "in costume" to make a variety of political speeches a segment from the stop-motion short "Christmas Time for the Jews" TV host O'Brien talking to likenesses of George W. T" "Fun With Real Audio" cartoon segments in which President George W. The clips include: an SNL skit featuring William Shatner at a "Star Trek" convention telling Trekkies to "get a life" an SNL routine with Phil Hartman as President Ronald Reagan, who appears grandfatherly to the press but emerges as a no-nonsense warmonger with his Cabinet an SNL parody for Schmitts Gay beer, with Adam Sandler and Chris Farley cavorting with a slew of hunky pool boys segments from SNL cartoons "The Ambiguously Gay Duo," "The X Presidents," and "The All-New Adventures of Mr. Held at the Museum in New York, Christy Carpenter, executive vice president and chief operating officer of the Museum, offers opening remarks for the seminar honoring Robert Smigel, originator of “TV Funhouse” and writer for “Saturday Night Live” and “Late Night With Conan O’Brien." She then introduces a compilation of live-action and animated pieces written by Smigel.
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One in a series of seminars presented by The Museum of Television & Radio which celebrates media as entertainment. Continue searching the Collection MUSEUM OF TELEVISION & RADIO SEMINAR, THE: MEDIA AS ENTERTAINMENT: WELCOME TO THE FUNHOUSE: ROBERT SMIGEL Summary
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